Other times you get part of the story, the most important part of which is, was the original master tape the source of whatever was used to do the cuttingwhether a high resolution (96/24) digital file or a 1:1 analog copy of the master, which is what some labels have to use if the tape's owner refuses to let it out the tape vault door. Kevin Gray cut the lacquers, and the vinyl was pressed at Quality Records. I've never heard a 1st pressing, only CD masters until this point, so I can only compare what I have heard. Sony/Legacy's Record Store Day Monomania! There are others too. At least one track on it was on the ZYX reissue. Heaven only knows how they got here and in the surprisingly good sound quality. The albums were subsequently re-cut by Chris Bellman at Bernie Grundman Mastering, this time using the analog master tapes, and they sound fantastic. There is no CD mastering of any Nick Drake material that comes close to the "Pink Moon" remaster. For example, I have Juke Box Hits by Chuck Berry in WaxTime edition, and the same at Chess version 1984. The approach for control of quality records is to identify the records required in each of your procedures to support or provide objective evidence that the procedure has been followed. Thank you for your patience and understanding. We're proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of our acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of our 80th anniversary in 2019. Glad someone else noticed. In an email exchange with MFSL, they admitted the LP's were not cut from the "original masters" but from a remix provided by Yoko Ono (who knows if digital was involved). As for Electric Warrior if you can find a U.K. Vinyl Lovers definitely cuts from CDs. ON THE CUT! This program brought electronic health records to well over 80% of ambulatory physicians and virtually every hospital in the United States. I know the individual components are quality pieces because I never buy any hardware or software (the real subject of this article) that hasn't received some favourable reviews from credible sources, so I am sure it's that they are not complementing each other as a system. I remember when MFSL reissued several John Lennon LP's about 10 years ago. They also seem to be in the habit of clearly noting transfer sources, involved engineers, studios and plants, which is always commendable. Transparency in what you buy in music is not good. There are certain labels I urge you to avoid. Ages ago I bought around 25 of them since the originals are super rare in playable condition (Meters, JB, Electric Prunes, Leon Thomas, Dr. John, Gil Scott-Heron). Caveat Emptor. All the jazz albums I've bought on WaxTime sound horrible, in some cases like they didn't even use a CD source, but perhaps an MP3! 8491 Sunset Blvd., #174 None of this is to excuse those reissue labels that have no interest in sound quality and simply cut LPs from commercially available CD sources. Not particularly good EHRs Support Provider Decision Making. "Hey look kids it's in a deluxe box with all this cool extra stuff". In the unlikelyhood that Mobile Fidelity or Speakers Corner does their fancy reissue of these records I'll gladly fork out the money, but in the mean time if I want to hear Embryo, Lard Free, Mythos, Anaxis Quam, Holderlein and lot's more, I'll be listening to them on Wah Wah. So, please, any ideas would be much appreciated. Their website states this: As for our sources; We are provided with the best possible (analogue) masters available. Detroit VA hospital harmed patients, altered records, investigation reveals Washington Investigators found lacking oversight they believe contributed to patient harm and death, and a pattern of "substandard" care in the surgery practice at Detroit's John D. Dingell VA Medical Center that leaders tried to conceal by altering external peer reviews and other data. I'm French, excuse my english. Is Get On Down if you're into hip-hop at all. All your speculation is cute. But that's another story. It really stinks to drop $50 on a brand new copy of "The Wall" only to be inundated by staticky noise. I would move Doxy Music / Doxy Records from the "generally avoid" to the "check before buy" category. The conversion's resolution depends on the sample rate and bit depth. I'd take the DSD sourced vinyl over those any day as they are way closer to the masters (unboxed Decca UK pressings are a different matter, most of those sound great if you can find them in good condition). Not even close and obviously cut from a commercial CD. I was able to push it out of the two adjacent groves easily. Consider The OXFAM Online Record Store, Platter World in Garfield, NJ Closing End of December, 2014, Record Score of the Day at The Princeton Record Exchange. I should have known that there was something up when I saw a sealed copy of Romeo Must Die available at such a reasonable price. As Canadian primary health care (PHC) EMRs mature, there is increasing potential use of EMR data for performance measurement. I pulled out my original copy and, although it lived a hard life during my misspent youth, it still sounded way better than the Vinyl Lovers. Apparently no one at Simply Vinyl pays much attention to sound. This is a defect known as stitching - a mechanical defect, which is both visual and audible. Doxy and WaxTimes can claim their junk is sourced from the original tapes too, after all, the CD they use to master comes from the original tape. So not really "original masters". Actually some of them, especially those licensed from EMI, can sound very good and could very well be analog tape sourced, but the company refuses to identify sources. Hey we need to bring back those goofy AAD designations that used to be on CDs, where it was implied that DDD was somehow the ideal, but now we need them for vinyl -- AAA implying pure analog recording, mixing, and mastering! I've lost count I must say. The whole set. Same crappy mastering only on thicker vinyl. The jacket and the sleeve are high quality, and the vinyl looked really nice when I inspected it under normal lighting. Didn't know there was an analogue version of Modern Times. This work is written by US Government employees and is in the public domain in the US. One concern I have is that some vinyl enthusiasts will automatically reject any reissue that has been "contaminated" by digital in any way whatsoever, which might be part of the reason labels are sometimes not forthcoming with information. Tell ya what though, the pressings I've been happiest with have come from Quality Records. If all the informationis not available, there is probably a reason. The worst-sounding piece of 180gr vinyl in my collection. I agree with you there! Under 120X power, I gently pushed the material out of the grooves with the clean tip of a wooden toothpick. My sources told me back then that Bob's people brought both ProTools files and an analog master tape to the mastering sessions for Modern Times and Bob went with the digital files. Don't dismiss them outright because of the label, because you might be passing up a good vinyl. To improve sound quality, you might want to investigate replacing the supplied power supply with something of better quality. I don't believe in conspiracy theories, why would Kevin convert the tapes to digital files? Simply Vinyl is pure chance, you never know what you get. Try finding a really good sounding Stones record on the London label. Exile on main street - 2010 reissue; 48/24. Thanks. T68 Super Member Messages: 2,868 Location: Sweden Hi! I guess I have to stick with mainly used vinyl. I just got a Carole King simply vinyl, cleaned with that $4,000 record cleaner Mikey talked about at T.H.E. Before Mobile Fidelity did The Beatles box in 1982, there had already been 3 Beatles releases. I would like to say that I am more of the persuasion that record companies are ripping everyone off by knowingly releasing an inferior sounding product to keep the "remaster" business going. The original UK presses walk the floor with them. My understanding is that when Simply Vinyl licensed titles from EMI, the label used analog sources from its vault but other label sources are a crap shoot and mostly sound mediocre. West Hollywood, CA 90069". Then the labels mentioned above, steer clear of anything from Doxy, it is virtually guaranteed to be 44.1/16. In my opinion, 10 new songs suffered a bit from some wierd Pro-tools sounding stuff. I was in Greece a few years ago visiting a Stereophlle reader who'd invited me over to hear his stereoone of the best, if not the best I've ever heard. Surely pulling random copies and checking for problems is something that should be done by the pressing plant in the production cycle? Sent: Mittwoch, 4. There is amazing variation,the "Exile" reissue sounds like a shrill, lifeless compressed mess. Is there an easy and inexpensive way I can improve my system? The only thing I don't like about the packaging of Wax Time LPs is their tendency to put the Allmusic review in the sleevenotes. So I will continue to purchase WaxTime records. But the latter doesn't sound better IMO. Classic Records' version of Tapestry was fantastic. This web page shows only a small excerpt of our Ermitage research. And I must say. unlike MANY recent official reissues from the major labels, the WaxTime records are absolutely free of pops/clicks and surface noise! The fact is, these are obviously not from analog tape. I just tried listening to my first "Wax Time Records" reissue of Albert King's 1962 debut album, "The Big Blues". I m waiting for an answer of Mr Michael Fremer. Electronic Medical Records (EMRs) are a rich data source to measure and improve quality of care. Nirvana, Nevermind, Simply Vinyl. It's definitely a good effort. I hope to see the thread keep going with peoples opinions on other reissues. Many of them were cut at places like Bell Sound that used dupes of dupes for cutting, and they sound awful. Sheltered from strong northerly winds, the south-facing slopes of the Hermitage hill benefit from ideal sunshine, which has a great influence on the quality of these wines. As you would expect, this doesnt come cheap and while there is no obligation to donate, we would greatly appreciate anything you might send to help to sales@audiokarma.org at PayPal.com. I guaranty you, the ZYX was cut either from a CD or some other source that the mastering engineer completely ruined when he cut it. Sundazed's mistake was to not put its name on them! The Friday Music Elvis reissues are analog and great sounding. That is, out of 1026 observations that were identified at the species rank in iNaturalist, 39 had an incorrect genus, 25 an incorrect family, and . Having only just started to re-build my vinyl record collection, advice like this is invaluable! I've been toying with the idea of replacing the Pro-Ject pre with a Bellari VP-130 tube pre amp, but I am wary of throwing money at the problem out of blind ignorance. I do have some records on the 'to be avoided' labels that I like but I find the whole practice disappointing. Why the difference? The Leonard Cohen live stuff recently released on vinyl is a 48/24k recording upsampled to 96/24k. Greetings, Kevin here in The City. Third fact. Leonard Cohens "Old Ideas" is digital, resolution unknown, but quite nice sounding. I do not have a crazy material, but I tend to perfect my system. I played the box version of Sgt. A couple of years ago I bought a Vinyl Lovers reissue of the Allman Brothers "Eat a Peach". Hi Michael and everybody. The Bottom Line: Supply & Demand. I have two very good sounding compilation LPs from "The Swingin' Pig" from the early '80s with a selection of Beatles, Stones and Hendrix tunes. So this means I concentrate nearly all my spending on mint used LPs which is sort of a shame for the record companies and artists, I'd like to buy new vinyl but it's like a 50/50 proposition that it will be mastered and cut correctly unless, of'course, I source it from MoFi or the others Mickey mentions. You'd think there'd be some obsessive on the internet keeping track of this stuff. 4. who mastered it. To my knowledge, there is no such resource anywhere on the web. I know you want to maintain validation for your expenditure. I've been around vinyl since the 70s and many of the Scorpio records sound good and have stickers stating "manufactured by Rhino" (whatever that means). Shuga Records is a Chicago-based record store and record label specializing in new and vintage rock, jazz, punk, hip-hop, electronic, psychedelic, metal vinyl records and posters. To this day I think it's my brightest-sounding LP. On top of that, our sound engineer has over 35 years of experience in cutting and mastering records for (major) labels. The sad reality is that some people involved in putting vinyl out probably check it on a crappy deck in a poor system and would regard a SL1210 as high end, our vinyl gets played and checked by at least two or three of us on a Rega 3, SL 1210 and a Michell Gyro or Orbe, plus one or two other decks as well and in different systems, bad pressings may still slip through, but they will be very few and not down to a problem with the whole run. The Related rights in France are fixed at 50 years for a musical work, but if I understand correctly, for an American record, it is more complex, and generally longer. Are you changing your recommendations of the Fairport Convention reisuses on FMWB? I mean, how difficult is it to just take the original master tape and play it and digitize it with no EQ and no compression? These include Doxy (not Sonny Rollins' labelapparently there's another one using the same name), ZYX from Germany, Vinyl Lovers, Simply Vinyl and Abraxas. I think it speaks for itself. Maybe it is just one unlucky record? It sounds nothing at all like an analog original. Most record labels don't seem keen on the idea of any kind of transparency. I do not see how the discs of Jazz that are fifty years old, or discs of Caetano Veloso like Tropicalia (1968) can be considered as being in the public domain. You can read a review of a Vinyl Lover's John Cale reissue on this site. Thanks! Hey! And some post partial information, like on some John Coltrane reissues that have a sticker that says "Sourced by Rhino, distributed by Scorpio.". When I played the record back, it played beautifully with no more skips. I've heard better MP3s than some of their presses. Sounding Stones record on the sample rate and bit depth power, i have heard mature there. Use of EMR data for performance measurement under normal lighting n't dismiss outright! Waxtime edition, and they sound awful 120X power, i gently pushed the out! 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