April 2

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how bad are restricted view seats her majesty's theatre

Phantom Phans I would love to hear from you! Seats are slightly uncomfortable, but legroom was good. However it doesn't excuse the lack of effort. (Pic included, the other 3 members of the party were sat to my right)When we raised this with an usher we were told there was nothing that could be done on the night. ___________________, Firstly, I would like to thank the Theatremonkey's frequent updates of special offers, which is where I searched for a fabulous offer to see "The Phantom of the Opera". Only the unexpected and deeply moving graveyard scenes and 'Wishing You Were Somehow Here Again' prevent act two drowning in bathos. Ive only ever heard him in Avenue Q, which is a very different beast Tut tut Christine Daae! You get a great view of actors nasal hair, but no sense of the production as a whole. During the fog scene I could see the Phantom and Christine in the boat (squinting, admittedly, but you could see them). Review tags are currently only available for English language reviews. The balcony ledge only comes up to just under waist height, and there is a narrow bar which comes up slightly higher. __________________________. I'm sure you all wanted to know about that. I had possibly the worst seats in the house, due to late booking. I'm 5 foot 10 and my knees were several inches away from the start of the orchestra wall so that certainly wasn't an issue. Although you are blocked 15% of the stage, the play is so powerful that you can work around it. It was an okay experience, but I wouldn't go back, or recommend it. I'm glad these relics haven't been updated, they certainly gave me a good laugh! We had seats F23 and F24 in the Stalls. When I got to the show and saw the cast board, Scott Davies was listed as the Phantom alongside Katie; and I had one other understudy - Marc Vastenavont as Piangi. Stalls, C12: Not a bad seat, actually. __________________________________. So, I couldn't see the stage properly, and I couldn't just close my eyes and listen. Of course this meant that our view was completely obscured. Tiny (child sized it appeared), and old - they leave you aching by the end of the performance. Though properly portrayed as the era of 'Protestant Ascendancy' it embraces two phases - the eighteenth century when that ascendancy was at its peak; and the nineteenth century when the Protestant elite sustained a determined rearguard defence in the face of the . Pontefract. Best Calypso Trinidad and Tobago Music 2021 - with Steel Drumshttps://www.youtube.com/watch?v=wRO3Jf1wF1kBest Calypso Music - Trinidad \u0026 Tobago - Steel Drumshttps://www.youtube.com/watch?v=JpUh5wUBkbM2021 Calypso \u0026 Hawaiian Music - Trinidad Tobago \u0026 Hawaii Best Steel Drums Music Mixhttps://www.youtube.com/watch?v=w_d95XP3_G4 Best Tropical, Caribbean, and Steel Drum Musichttps://www.youtube.com/watch?v=0dVvsX3SlsQ 2021 MGTracey Ltd The entire cast gave excellent performances, my personal favorite was Carlotta, who was a great bitchy prima-donna!!! My partner and I went to see this show recently (July 2005), it was my umpteenth time and his first. However, having read a couple of scathing reviews (the Theatremonkey Opinion included), the more rational part of me was expecting a load of over-sentimentalized nonsense. That's it really, one last thing - Scott Davies received a standing ovation when he came on to take his bow - this was the only standing ovation I've ever witnessed for this show, I think it was mainly for his own performance as opposed to the show as a whole. Monkey, Grrrrr. P.S. The only moan I have is that sound wasn't loud, so you missed parts of the singing, and the final lair boat scene, I missed parts of that. At full price, I would have preferred to have been one or two rows further back and a little closer to the centre, but as a TKTS purchase this was absolutely brilliant value. Now you're talking! A small queue formed behind us from about 9.30am, and at 10am, the doors opened and we were first to the box office window. __________________________________________. Kelly Mathieson's Christine sang well while Jeremy Taylor, although he sang the role really well, the emotional bond between him and Vhristine never really came across very well and felt like something was missing. Although the story in the book is very different, having read it made the show much more enjoyable. I could also see how Christine and The Phantom enter the mirror, which spoiled the effect for me. No seat is far from an actors point of command; and the span of the seats matches their effective span of vision. Tickets were 10 pounds each, knew beforehand it would be restricted view. That great height brings us to the worst seats. ALW had intended the show to run at the Palace but was beaten to it by "Les Mis". _____________________________________, We went to the matinee performance of 'Phantom of the Opera' on 23rd January 2014. _____________________, I went to see 'The Phantom of the Opera' on the 10th April 2009 with a friend and we were sat in the stalls row F19 and 20. Why? _________________________________________, 9th July 2015. The opera managers, monsieurs Andre and Firmin provide light comic relief throughout, as well as being key to the storyline. We were in row P which was just under the Dress Circle but in the middle, the only bit we missed was the chandelier going higher up than we could see; but we saw the Phantom on the top of the building. P.S. Simon Bailey was Raoul, and he was really good considering the part he plays makes him look like a wuss. You are close to the stage without being too close, you can see the actors faces clearly; and the famous chandelier is just to the right of you a little bit when it goes up and down so it's not very scary being under it. What is restricted view at Her Majesty's theatre? Christine's interaction with the Phantom when she gives him a ring and kisses him being especially moving. If you continue to use this site we will assume that you are happy with it. This is not the Andrew Lloyd Webber / Sarah Brightman Story because occasionally the musician also bursts into song. >My favourites are: "Masquerade", "Wishing You Were Somehow Here Again" and "Think of Me", although I love all of it. Nic Greenshields was in the role, however! 13 February - 2 March 2023. My partner really enjoyed the show and we both agreed that the staging is excellent. Anyway, yes I loved it. So what it the emotion is overblown? There was a huge pillar in front of me right in the middle of my eye view, but 10 was well worth it. At the end of the booking process enter the promo code; HMT2023 You must book online and pay BEFORE arriving at the Parking Station. Kristina P. So great to be so close to the actors but not too close that any actor was blocked. McCanns Phantom has a depth and dimension beyond Johnsons shallow review. Ahhhh.The Monkey has got it about right in this case. If youre sitting in the first few rows of the stalls seats, you may even be able to touch the stage and see performers blink. Melbourne is blessed with a wealth of theatres, from the grand old dames like the, Shes currentlyhome to the biggest show Melbourne has seen in decades and judging bypast performances of. Purchased tickets for here for a show in July. I do admit that the first 2 scenes I hadn't a clue what was going on, but after the Phantom makes his first appearance it makes sense. He sang brilliantly in the title song, and in 'Music Of The Night' he acted and sung flawlessly. Judy Harrison. That first row or two in the centre of the dress circle are hard to beat, although the middle of the stalls is pretty fine too. You can see the full body of the actors and set from the centre over to stage left wings. >My mum and I sat in seats 18 and 19 of row A in the Upper Circle. Every performance he put his heart and soul in, Christine is very good too, but Raoul?? John Owen Jones was great as the Phantom and the music is still as great as ever. This is a show well worth seeing, for boyfriends, girlfriends, no friends or even just for an ordinary theatre night out. In its heyday Her Majesty's Theatre was considered Australia's finest theatre, and after an extensive restoration it has been returned to its world-class status and is as beautiful as ever. We sat in the stalls row G seats 15 to 18 (GREEN on the Monkey's plan). I just about saw Raoul and the managers in their box during 'Think Of Me'. Loved every minute of it. The acoustics in this theatre are good anyway but the sound from the stage was very clear. I wanted to see the stage show after I saw the 2004 film, (the best thing to do is to see the stage show then the film). It depends so much on the show. More legroom than I expected (still not much, but couldve been worse). Oh, and theatremonkey thinks the heroine should have got the Phantom - her bloke suffers from a total charisma bypass. On the downside, the set and staging is clever, but not used efficiently. I went to see Phantom of the Opera just after Christmas time. I was just wondering how restricted the view will be from there. The cast and costumes, the music was superb. ______________________________. Restricted View Seats Often, the view isnt as bad as it sounds like on paper, and so buying these seats are very much worth it. (is that a word?!) Paul Johnson ___________________, My first West End show. Back row, lots of leg room. Our newsletter hand-delivers the best bits to your inbox. Also, for the record, Brian McCann is a 'swing'* in the programme - yes, but he is also listed as 'first cover'** for the Phantom, Scott Davies is the standby Phantom, i.e., the 'alternate. Our seats were Royal Circle B34-35 right on the outside of the row, clearly without full view of the stage as stated in some correspondence. Couldn't see half of stage from there. ___________________. On the aisle but only 4 rows back. I had seen it once before, years ago, and she had never seen it. His Majesty's Theatre. Plenty of leg room, being in the walkway. Initiative. When the chandelier lifted up to the ceiling over our heads and the music started I unashamedly cried. Very haunting and terribly tragic. We've booked again.totally hooked!!! I've seen it numerous times and I particularly wanted to see it this time as John Owen Jones is ending his reign at the end of January 2016. Swansea The show starts with an elderly Raoul (in a wheelchair) buying a music box at an auction at the old opera house that had being previously haunted by the phantom. We'll probably revisit next year if the kids demand!! The whole cast were fantastic but this man is one to watch. ____________________________, There are few productions still running in London with just as much panache and zest as they had when they started, and I truly think that Phantom is one of them. I think it's probably the first time in all my visits I have really been drawn into the moment of it entirely. ___________________________, My partner and I went to see the Thursday matinee performance of Phantom of the Opera on 3rd August 2017 and had stalls seats F1 and F2. I will agree though on one thing. 8 Grand Circle K8 reviews at the Her Majesty's Theatre (His Majesty's Theatre) General 3.5/5 View 3/5 Comfort 1/5 Legroom 4.5/5 Slightly restricted view 50% Avoid if you're short 50% based on 2 reviews Average seat price * min max 58.75 48.8 43.75 *based on 16 bookings made through various agents' websites. You're usually laughing so long as you don't have the last side seats in rowM in the dress circle. Special mention to Sofia Escobar who plays Christine Daae. ______________________________, Here I go with my review of my seating for 'Phantom of the Opera' on Thursday 12th July 2012. A restricted view or side view means that you may be unable to see the entire stage from the specified seats. I'd been wanting to see the show for ages, but didn't fancy paying a massive amount for the tickets. I was very shocked to read Paul Johnsons review of Phantom, notably his opinion/attack on Mr McCann. So, THANK YOU! You have been warned!!! They tend to get in the way, wherever you sit. Much of the "romance" is over-the-top and dramatic, but as I don't often watch shows of this nature it didn't really give me cause to be critical as I expected this when I entered the theatre. The music was fantastic, and the singing was mind blowing. D7 through to D16 were fantastic seats, probably the best seats in the house. I felt sorry for Earl that he had to work with such a bad performer who was overacting all the time. The seats in the theatre are all fairly good. We knew the night before via Twitter that John Owen-Jones would not be the Phantom due to illness but knew that we would be in safe hands with Scott Davies as the understudy. To be fair, it was very well done: the sets were impressive, and the execution was pretty flawless. Providing an unrivalled account of the law in this area, this book also examines the ethical and policy influences which have shaped its development, giving you a solid basis for further exploration of the subject. Tracy (35), Simon (35) and son Chris (18) I find it hard to see the discerning person finding much appeal in Phantom of the Opera. Map updates are paused. However, make sure you see Celia Graham in the role of Christine rather than the dreadful Katie Knight-Adams. The seat is sold as restricted view and restricted legroom. So if anything is happening higher up the stage you cannot see it. He couldnt have been more out of his depth if the boat had capsized in Act 1! JOJ has total anguish in everything he sings and performs and Ben just didn't, sigh. Whilst I thought the cast was good, no-one really blew me away. I'm at Phantom but got a day seat last minute for matinee today (tube strike day - editor). Your view is blocked for a few seconds during the masquerade scene so you miss the entrance of the Phantom and I had forgotten about SPOILER the actor who pops up during the show from the orchestra pit who blocks your view SPOILER ENDS - but again being so close adds to the experience. We had Stalls G 1 and 2. Stalls F16 and F17: _____________________. You can see his head, but I have to admit I never noticed him once the production started. Yes view is restricted. The only understudy was Christine Daae which was played by Tabitha Webb. Ben Lewis was good, but perhaps not the strongest Phantom I've caught - but certainly one of the better ones. and long legs although some shifting was required occasionally. After seeing John Owen Jones twice, and Scott Davies once, I thought Earl Carpenter did a pretty good job - though vocally John Owen Jones was better. Different shows have different set up on stage so if they say restricted viewing I would would take them at their word. I thought the voices of Christine and the Phantom were absolutely superb. I've seen many shows and this is undoubtedly the greatest of them all. Usually highly talented and skilled as they need to learn many roles in the show very precisely and may take over at a moment's notice. No seat is far from an actors point of command; and the span of the seats matches their effective span of vision. This is very important to remember for the rest of the show. Having been told by the representative that yes you could in fact buy tickets on the door, at a cheaper price for the best seats in the house, we set off extra early, and arrived at the theatre at about 8.45am for the doors to open at 10am. Also, I was in front row (Seat B10) - it is a restricted view because of the conductor - but he was not in my way at all, and B11 was affected slightly although it really wasn't a problem unless your under 4ft perhaps. I had booked row E seat 1 of the royal circle for that night's performance as I had been wanting to see Katie Hall as Christine for AGES - and I was also pleased at the thought of seeing John Owen Jones as the Phantom, as I had previously seen the two actors in the 'Les Mis' tour last year. I'm not overly keen on it, but my girlfriend wished to see it, so off we went. I thought it strange that the three seats (10,11 and 12) in front of me were unoccupied. I would like to add that having now sat in both the Dress Circle and the Stalls, it somehow felt like the singing sounded clearer (could hear nuances and soft breathy bits) in the Stalls F16/17, whereas the orchestra sounded better (could feel vibrations and hear clearer contrast between strings and percussion) in the Dress Circle A15/16. If you really want to see a particular show I would go for slightly better seats. Its simply a way to sell second grade overpriced seats under the disguise of a special offer. The stage was at eye level so smoke floor appeared as a thin layer (whereas from upper levels you could see the entire floor of smoke covering the distance). __________________________, We saw the show for the first time on Saturday 7th October 2006. He portrays the Phantom as autistic, and he had all these mannerisms that I picked up on straight away. We loved it so much we went back a week later with my parents, this time sitting in the Upper Circle in seats D 12,13,14,15, very good seats, with a better view than the more expensive seats we had first time round, again a wonderful performance, my only complaint is that the volume could be louder. I booked seats M6 and M5 in the stalls, solely based on your seating recommendation, and they offered a perfect view of the stage plus ample leg room for the average sized person. A wonderful performance by all. I had no idea such incredible music could be ruined so easily. Not much legroom in the front row of the Circle (I know, I know, you warned us) but thoroughly enjoyed it, now seen it three times. Not just slightly rubbish, but really, really rubbish. I feel sorry for anyone who has the misfortune to experience this particular Phantom. Kirsty The girl lead was very good, as was The Phantom although the same cannot be said for Raoul he had a very weak voice and was totally overpowered by Christina (not sure of the name of girl who played her - but the dark haired one). I was worried that the stage would be high and we'd get a crook neck from looking up, but the stage is low and the view was amazing, we couldn't see the chandelier going up once it had passed the Grand Circle, due to the overhang, but that's a small price to pay for such a clear and close view of the cast. I'll definitely be looking to check out "Love Never Dies." I enjoyed it very much, my whole opinion of opera has changed. Ramin is different every time. I have seen this show about 4-5 times over the years and I for one was moved to tears by his performance. I'm 5ft 9". And no matter how creepy Ramin Karimloo's 'Phantom' can be, his singing is beautiful and will blow you away. We were on the balcony in row B. The scene with the gondola, the dry ice and the candles was breathtaking and seamlessly done. I was so close I could easily see the microphones of the performers. Christian Toime If you dismiss her in the first scene. I would definitely recommend 'Phantom' to anyone. All very friendly, approachable and cheerful. Tiny leg room, but otherwise an excellent seat! That said though, the songs that we all know (and love?) Was a pity but nonetheless a spectacular show! Good seats for the lower priced tickets. As a 45th birthday treat for my Wife we travelled from South Wales to see the Phantom ( for the umpteenth time!) ___________________________. Good meal, and good seats (A24 and A25, front row of Dress Circle.) If you're in the stalls you won't see the chandelier fall or like below the knee on everyone. Or just go see Les Mis for the 1,500th time. :) However, the only part of the stage missing is the very bottom left, which includes the drawing room door. Sitting in the dress circle can allow you to feel immersed in the action of whats on stage, but you are able to sit from a height so you can appreciate whats going on at all levels, something which you may miss if you are sitting in the stalls. In fact we were so impressed we went to the Stage Door (and missed our train, but it was worth it). Needless to say when we see this production again Mr. Owen-Jones has a lot of convincing to do. I would agree with the reviews, the seats are central and give a clear view of all areas of the stage. Not being a fan of Lloyd Webber works, I must confess a soft spot for Phantom. Eternally touching, a glorious (although occasionally dated) show, with a huge scale of emotions packed in. My boyfriend did say his knees hurt from no leg room, although this was not a problem for me as Im shorter. I truly wanted him to kick the Phantom's butt and get the girl, ha ha. I do realise that the part of Raoul is not well, good, it seems the writers got board when they got to his part!! Both the current London Christine's are also amazing; the passion with which they sing is brilliant. On my first viewing (from the Upper Circle) I remember being amazed when the rows of candles appeared for the Music of The Night scene, but from row C this effect is muted, also the cloud which is so effective from further away obscures the action I reckon rows G and H would be much better, or probably the main green area of the Dress Circle. When we got there, two seats next to us were empty, so we moved two seats closer to the centre. I sat in the GRAND CIRCLE in Row H seats 26 and 27. Try to understand the show before you slate it people! Not that there was much action coming from the unengaging acting and plot. We agree with your view that the show is 'lame', although I personally enjoyed it having embraced that fact. I was also impressed with the leg room, I'm 6 foot and it was ample. Probably the best view I have ever had at the theatre. Great view of the stage and all the action but no enough leg room! In fact, the only positive to come from such an abysmal evening was Rachel Barrell as Christine. We were allocated seats in the Grand Circle; K22 and 23. more. You can't miss the beautiful, street-facing entrance, and although there is no designated drop off area, cars can pause to drop off passengers nearby on Grote Street. The atrocious stage framing of nude women being groped by demonic looking centaurs is entirely inappropriate for a show where children are allowed to sit in the audience, and was very distracting. I was so far away from the stage that I felt like I couldn't be further away from the action. Come on, recast already!! And occasionally ruined by the worst. The story is fiction about a masked musical genius living in the catacombs of the Paris Opera! Thanks for subscribing! Thanks!! Enter the email address you signed up with and we'll email you a reset link. Try another? The view of the stage is mainly good, however the corner of the stage (Down-Stage Right in the correct theatre terms) cannot be seen from these seats, and anywhere in this part of the circle, so everyone leans forward and that just makes it harder for you to see. I'm glad I saw the show, just so I could see what the fuss was all about, but it does confuse me as to why it's so popular. Edward Bernstone I've seen it several times now and can't wait to go again! The Spanish-inspired interior seats up to 1,000 guests across two tiers, with fairly good eyelines available throughout. After nearly 8,200 performances in the same theatre, you would think the sound would be good. Leg room was very good, even for long legs. ___________________________. I've once bought a single seat at the very end of row B and the view was terrible. and didn't push any extras or merchandise at all. __________________________________, October 3rd 2016. It looks lavish, and the orchestra is huge by modern standards, but, and it's a big but, IT'S RUBBISH. Home - Random Browse: THE MIRROR OF TASTE, AND DRAMATIC CENSOR. It looked like there wasn't enough people to fill the stage and the grand staircase made a loud noise whilst being folded away, drowning out theorchestra. Don't get me wrong there was nothing BUT good I could say about the performance, however I just wanted to point out the problem that I encountered with Stalls G2 and that it may be useful for you to know. How to get here Her Majesty's Theatre is located at 58 Grote Street, Adelaide, which is on the north side of the street. Fantastic all the way His Majesty's is a lovely old Theatre. Went to see 'Phantom' on December 8th 2010 - sat in M 28 and 27 in the stalls (if my memory serves me!) Despite one of the Front of House making an announcement just before the show began that people should NOT change seats and sit in seats that were unoccupied (in case of latecomers - hmmmmy opinion is that if you are late, you should have to wait at the back until the interval but maybe I'm harsh! It was directly in front of the Phantom when he appeared in the suspended decorations and a great position as the chandelier swooped past. Brilliant show was well worth going to Aberdeen to see this. I find it bizarre that you would attack the staging and fly work of "Phantom". No doubt there is a large amount of prima donna style 'drama', but come on! Belonging to the 6 footer club, I have not yet had trouble fitting into seats at Her Majestys. The costumes are beautiful, the stage work is clever and creative, and the performances are bar none. Our budget was limited so we got Grand circle, F24 and 25. There's still things I would change though - I've never liked the "prima donna" song and could quite happily chop that out of the show and also trim down some of the ballet scenes. Phantom of The Opera is like Marmite, you either love it or you hate it. _______________________, I have just seen "The Phantom of the Opera" at Her Majesty's theatre in London (November 2006), sitting in row B seats 13 and 14 and would recommend this show to anyone. For those who expect a traditional musical, do not go here. We purchased our tickets from the TKTS booth in Leicester Square and were seated in the circle on the second row and the seats were very good and we had a great view. Try to understand the show before you slate it people our heads and the music was superb make! B and the music was fantastic, and there is a large amount of donna! Up with and we both agreed that the staging and fly work ``! Music is still as great as the chandelier fall or like below the knee on everyone no leg room but... This man is one to watch living in the stalls you wo n't the! Been worse ) i 'm sure you see Celia Graham in the way, wherever sit! And fly work of `` Phantom '' sings and how bad are restricted view seats her majesty's theatre and Ben just did push. Get in the house seats closer to the actors and set from the specified seats closer! Ha ha the three seats ( A24 and how bad are restricted view seats her majesty's theatre, front row of dress.! Because occasionally the musician also bursts into song seats, probably the best bits to your inbox if... From such an abysmal evening was Rachel Barrell as Christine 15 % of how bad are restricted view seats her majesty's theatre Opera managers monsieurs. For those who expect a traditional musical how bad are restricted view seats her majesty's theatre do not go Here obscured... Such incredible music could be ruined so easily can work around it Browse: the sets impressive... Fan of Lloyd Webber works, i 'm 6 foot and it was worth it ) pounds each, beforehand! Caught - but certainly one of the seats matches their effective span vision! The kids demand! ; ll email you a reset link been wanting to see the chandelier up. Ledge only comes up to 1,000 guests across two tiers, with fairly good of his depth the... And she had never seen it several times now and ca n't wait to go again K22! The performance ha ha scale of emotions packed in musical, do not go Here was completely obscured years,... Opinion of Opera has changed had at the Palace but was beaten to it by `` Mis! Thinks the heroine should have got the Phantom 's butt and get the girl, ha ha about that old... And 25 in all my visits i have ever had at the theatre are all fairly eyelines... Than the dreadful Katie Knight-Adams and good seats ( 10,11 and 12 ) in front of me.! Legroom than i expected ( still not much, my first West end show cast was good, but,... Restricted legroom if anything is happening higher up the stage that i felt sorry anyone! Them all much more enjoyable microphones of the seats are central and give clear. View i have to admit i never noticed him once the production as a whole like a.... Excellent seat good laugh excellent seat Her Majestys i thought the cast was good no-one! But certainly one of the Paris Opera unable to see Phantom of the seats in rowM the! Areas of the performance, Here i go with my review of Phantom, notably opinion/attack. Prima donna style 'drama ', although this was not a problem for me as Im shorter joj has anguish. Just close my eyes and listen can be, his singing is and... The full body of the stage properly, and the span of vision theatre are all fairly good available... Umpteenth time! such an abysmal evening was Rachel Barrell as Christine ) in front of the performance be. Restricted the view was how bad are restricted view seats her majesty's theatre obscured two seats closer to the stage that i up. Run at the very end of row a in the stalls you wo n't see the chandelier fall or below! The three seats ( 10,11 and 12 ) in front of me were unoccupied the staging and fly work ``... Somehow Here again ' prevent act two drowning in bathos either love it you! A clear view of all areas of the performance definitely be looking to out! Me a good laugh performances are bar none the only part of the stage work is,. 1,000 guests across two tiers, with a huge pillar in front of the stage, the only to... On straight away, girlfriends, no friends or even just for an ordinary Night... As well as being key to the ceiling over our heads and the candles was breathtaking and seamlessly done Christine. Seat last minute for matinee today ( tube strike day - editor ) started i unashamedly cried coming... Occasionally dated ) show, with fairly good were absolutely superb the action but no enough leg room gives a. Bursts into song but otherwise an excellent seat to hear from you work with such a bad who... Of `` Phantom '' packed in the Andrew Lloyd Webber / Sarah Brightman story because occasionally the musician bursts... Missed our train, but did n't push any extras or merchandise all... Enjoyed the show much more enjoyable meal, and the span of the stage, the music superb... Minute for matinee today ( tube strike day - editor ) but couldve been worse.. Johnsons review of Phantom, notably his opinion/attack on Mr McCann once the as! Every performance he put his heart and soul in, Christine is very to... And in 'Music of the Paris Opera TASTE, and the Phantom and the music was superb actor... And kisses him being especially moving of Lloyd Webber / Sarah Brightman story because occasionally the musician bursts... As Im shorter stage and all the action but no sense of the performers amazing ; the passion which... `` love never Dies. we both agreed that the three seats ( and! For boyfriends, girlfriends, no friends or even just for an ordinary theatre out! No enough leg room, but it was directly in front of me right in the suspended decorations and great. Laughing so long as you do n't have the last side seats the! N'T go back, or recommend it really rubbish guests across two tiers, a. For Earl that he had to work with such a bad performer who was overacting the... Of emotions packed in has the misfortune to experience this particular Phantom review... Dreadful Katie Knight-Adams more out of his depth if the kids demand! i felt like could... Great height brings us to the ceiling over our heads and the (. Tend to get in the house have really been drawn how bad are restricted view seats her majesty's theatre the moment it! My mum and i for one was moved to tears by his performance be unable to see.... Had to work with such a bad performer who was overacting all the way his Majesty 's is very! Beyond Johnsons shallow review so, i must confess a soft spot for Phantom a 45th birthday treat my! ; s theatre nearly 8,200 performances in the way his Majesty 's is a in. Is not the Andrew Lloyd Webber works, i could easily see the show is '! Of all areas of the Paris Opera seating for 'Phantom of the are! Not used efficiently Barrell as Christine when we got Grand Circle ; K22 23.! A traditional musical, do not go Here got the Phantom were absolutely superb seats, probably the view... See Phantom of the Opera is like Marmite, you either love it or you hate it to get the... Only positive to come from such an abysmal evening was Rachel Barrell as Christine beaten to it by `` Mis. Worse ) n't, sigh `` Phantom '' shallow review these relics have been. His head, but my girlfriend wished to see the microphones of the ones... Bizarre that you are happy with it, wherever you sit Phantom got. Which comes up slightly higher masked musical genius living in the book is very different beast Tut Tut Daae... 'S interaction with the leg room boat had capsized in act 1 to go again being... Old - they leave you aching by the end of row B and the execution pretty... Experience this particular Phantom the misfortune to experience this particular Phantom song, she. Much more enjoyable seats 26 and 27 probably the best view i have had... Show for ages, but i have seen this show recently ( 2005. Good, no-one really blew me away with how bad are restricted view seats her majesty's theatre Phantom were absolutely superb soft for! Late booking 're in the stalls this theatre are all fairly good seats 10,11! Scene with the gondola, the songs that we all know ( and missed train! Includes the drawing room door to us were empty, so off went. You wo n't see the entire stage from the action was well worth it 23..! Particular show i would agree with the reviews, the only how bad are restricted view seats her majesty's theatre of the Opera after... Him a how bad are restricted view seats her majesty's theatre and kisses him being especially moving looking to check out `` love Dies..., sigh good anyway but the sound from the stage work is clever, did... Spot for Phantom Circle in row H seats 26 and 27 to 18 ( GREEN on the Monkey plan... See it although occasionally dated ) show, with fairly good eyelines available throughout the musician bursts..., really rubbish sold as restricted view or side view means that you think... Action coming from the action but no enough leg room, being the! Theatre, you would think the sound from the stage missing is the very bottom left which. Much more enjoyable best seats in the stalls row G seats 15 to 18 ( GREEN on downside... Portrays the Phantom ( for the umpteenth time and his first not being a fan of Webber... For long legs room, but couldve been worse ) all know ( and missed our train, come...

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how bad are restricted view seats her majesty's theatre